Maybe it has to do with Greek cooking, Phil?
Dean and Catherine Karayanis'
Regional Greek Cooking is, naturally enough, arranged the same way. And I found it rather disconcerting. Even with the index it's hard to find things.
On the other hand, I have no problems with non-traditional arrangements. Both Ana Sortun's
Spice, and Andreas Viestad's
Where Flavor was Born, for instance, are arranged by the major spice used. In both cases it seems like a logical and natural arrangement.
Nino Graziano's
My Sicilian Cooking is arranged as Appetizers--First Courses--Second Courses--Desserts. Which initially seems like a curtailed version of the traditional course-by-course layout, but really isn't. The chapter titles are merely translations from the Italian. This arrangement does not follow the American (eg, French) course progression. And many (perhaps most, particularly in the primo and secondo sections) of the dishes are interchangable. But, here again, I don't find anything disconcerting.
I suspect Zora's problem is one merely of habit. We all get used to things being a certain way, and interpret that to mean "this is the right way." But there's nothing inherently right nor wrong about it.
A lot depends, I think, on the nature of the cuisine, and whether the book is intended for home cooks or for professionals. Home cooks are more likely, I beleive, to look for the course-by-course arrangement.
But what would you do with a book, say, about street foods of the world? Seemingly, the most logical arrangement would be by country or region. I think most people would agree with that. But such an arrangement couldn't get any further from the course-by-course type.
Actual case: The International Culinary Schools' new
International Cuisine. I can't imagine any way of organizing it except the way they took. But it's certainly not the traditional course-by-course line up. Not even within chapters.
>I think my desire for a comprehensible structure is supported by cookbook sales figures.<
In the book industry it is never a good idea to attribute causal factors to known effects, unless you are privy to all marketing decisions. You'd be amazed at what determines how, and how well, books are sold.